Advanced Typography - Task 2: Key Artwork and Collateral

13/5/2024 - 24/6/2024 (Week 4 - Week 10)
Shawn Wong Kai Hen / 0375372
Advanced Typography / Bachelor of Design (Hons) in Creative Media
Task 2: Key Artwork and Collateral



  LECTURES  

All lectures 1 to 4 completed in Task 1 - Exercise 1 & 2

Week 5

Lecture 5 - Perception and Organisation

Perception and Organization
Perception and organization are key concepts in cognitive psychology that explain how individuals interpret and make sense of the world around them.

There have 7 method to create contrast:
  • Size
  • Weight
  • Direction
  • Color
  • Texture
  • Structure
  • Form

1. Size Contrast
Use significantly different sizes for elements to draw attention.
Make key elements larger to emphasize their importance.
Establish a clear visual hierarchy by varying the sizes of elements.

2. Weight Contrast
Use bold elements alongside light or thin elements to create emphasis.
Apply heavier elements to areas that need more focus.
Contrast heavy and light weights to balance the overall design.

3. Direction Contrast
Contrast horizontal elements with vertical ones.
Introduce diagonal lines or elements to break up straight lines.
Use directional cues to guide the viewer’s eye through the design.

4. Color Contrast
Use highly saturated colors against desaturated ones, or bright colors against muted tones.

5. Texture Contrast
Use soft textures alongside hard surfaces.
Contrast matte finishes with glossy or shiny textures.

6. Structure Contrast
Use structured grid layouts against freeform arrangements.
Combine regular, predictable structures with irregular ones.

7. Form Contrast
Combine geometric shapes with organic, irregular forms.
Difference between capital and small letter or roman and italic letter.

Organization / Gestalt

Organization in perception refers to how sensory information is structured and interpreted to form coherent and meaningful patterns. This process involves several principles, often referred to as Gestalt principles, which describe how we naturally organize visual information:

  • Law of Similarity
  • Law of Proximity
  • Law of Closure
  • Law of Continuation
  • Law of Symmetry
  • Law of Simplicity

In design, the overall visual form is more important than individual elements.
  • Law of Similarity: Grouping objects that are similar in appearance.
  • Law of Proximity: Grouping objects that are close to each other.
  • Law of Closure: Filling in gaps to perceive a complete, whole object.
  • Law of Continuation: Perceiving continuous patterns rather than disjointed ones.



  INSTRUCTIONS  


<iframe src="https://drive.google.com/file/d/1pPuoGajk6dVXriwgBpZpSc0ISAOk7JoV/preview" width="640" height="480" allow="autoplay"></iframe>



TASK 2(A) - KEY ARTWORK
For this task we are required to create key artwork (wordmark/lettering) that reflects our identity using first name (Shawn) or pseudonym . This key artwork will be used on collateral as part of task 2B to adorm a lapel pin, T-shir and poster (collateral). 

- Simplicity
- Not necessarily legible
- Artwork made from type
- Artwork needs to be scalable
- Explore options - compositions etc.
- Elegant solution, visual communication


Ideation + Brainstorming
I have decided to use my nickname (Shawn). Our wordmark should reflect our personal brand, and we have been advised to focus our design to ensure clarity and impact. I have identified three categories to guide this process: industry-specific themes, personal values, and personal interests. Within these categories, I have further narrowed down specific elements that I can incorporate to create a cohesive and professional wordmark.

Fig 1.1 Sketches
  • Personality: Generally carefree, Curious, Fun-loving, Friendly, Extrovert
  • Interests: Movie, Video game, Sports, Travel
  • Creative: Elegant, Artistic font, Minimalist, Modern

Fig 2.1 Visual reference from Pinterest (15.5.2024)

I then searched Pinterest for some inspiration and to look at how wordmarks are crafted.


Digitalization

Fig 2.2 Digital sketch & References with Final - attempt #1, Week 4 (16-18/5/24)

For the design i used is a mix of modern and artistic with varying thickness and unique shape for each letters. The letters have a stylish and somewhat sophisticated look, likely to catch attention.

Each letter seems to have been customized. The "S" has a unique curve, the "H" is tall and narrow, the "A" has a elongated crossbar, the "W" has an unusual arch in the middle, and the "N"     is wide and angular. This customization ads to the uniqueness of the design  maintains a sense of balance despite the differences in letter shapes and sizes. The varying heights and widths are arranged in a ways that feels harmonious and balanced.
 

Refinement

Fig 2.3 Refinement with Final - attempt #1, Week 5 (23 - 25/5/24)

After receiving feedback from Mr. Vinod, further adjustments are necessary for the design. Firstly, the styling of the letter "S" does not match the other letters. While the other letters feature consistent thickness, the "S" is more curved and lacks this uniformity.

To address this, I have decided to refine the design by ensuring consistent thickness across all letterforms. I will also use the same angle as depicted in Figure 2.3, where the letters "HAWN" exhibit a consistent thickness pattern and design, with connections between "HA" and "WN". Similarly, I will connect the "S" to achieve a more unified look. The redesigned "S" will incorporate some curvature while maintaining consistent thickness and will be connected to the "HA" for a cohesive appearance.


  Final Task 2(A) Key Artwork  

Fig. 3.1 Black wordmark on white background - JPEG, Week 6 (30/5/24)

Fig. 3.2 White wordmark on black background - JPEG, Week 6 (30/5/24)

Fig. 3.3 Color pallet - JPEG, Week 6 (30/5/24)

Fig. 3.4 Wordmark in actual colors on the lightest shade of the color pallet - JPEG, Week 6 (30/5/24)

Fig. 3.5 Wordmark in lightest shade on the darkest shade of color pallet - JPEG, Week 6 (30/5/24)


<iframe src="https://drive.google.com/file/d/1w6UQhKN5RzQJHPSiGNelJnN-FlLbAcK0/preview" width="640" height="480" allow="autoplay"></iframe>



  Task 2(B): Collateral  

For this task, we are required to design three collateral items, which could include a t-shirt, lapel pin, or tote bag, based on the key artwork. Subsequently, we need to animate the key artwork and create an Instagram account to showcase it. The final output must convey the intended message and mood set by the key artwork, both visually and textually. The deliverables include an animated key artwork in GIF format with specific dimensions of 800x1024 pixels.

Fig. 4.1 Process refinement, Week 6 (1-3/6/24)

After receiving and considering Mr. Vinod's feedback on my initial design and mockup, I realized that the color palette was not effective. The original palette appeared very dull and dark. Based on the feedback, I revised the color palette, resulting in a significantly improved design. The new palette is brighter and cleaner, featuring attractive colors such as red.

For the mockup, I selected a mug, hoodie, and tote bag as my collateral items, ensuring clarity and coherence in my presentation. My design features simple and curved elements, allowing for flexibility with different scales on the collateral. I prefer clean and minimalist designs, as overly complex designs can appear cluttered. This preference influenced my choice of these three items as my collateral. For more details can visit my Instagram shawnnndsign


  Final Task 2(B): Collateral  

Fig. 5.1 Collateral 1 (Tote Bag) - JPEG, Week 7 (7/6/24)

Fig. 5.2 Collateral 2 (Hoodie) - JPEG, Week 7 (7/6/24)

Fig. 5.3 Collateral 3 (Mug) - JPEG, Week 7 (7/6/24)

Fig. 5.4 Instagram Link (Click Here) and QR - JPEG, Week 7 (8/6/24)

Fig. 5.5 Instagram screen grab (Mobile) - JPEG, Week 7 (8/6/24)

Fig. 5.6 Instagram screen grab (Desktop) - JPEG, Week 7 (8/6/24)

<iframe src="https://drive.google.com/file/d/13nyOvzyT1xO6ZcFUB6FkmSaI_rFovKFw/preview" width="640" height="480" allow="autoplay"></iframe>




  Final Task 2(B): Animated GIF  

We need to create an animated GIF for the key artwork. After completing the collateral, I decided to start animating my design. I am using Adobe After Effects to create the animation.

Fig 6.1 After effect workspace - Animated GIF (9/6/2024)

For my design in Adobe Illustrator, I organized the layers to facilitate the animation process. As seen in the bottom left, there are numerous layers. Additionally, I created the composition in Adobe Illustrator at 800x1024px to streamline the transition to animation in Adobe After Effects.

Fig 6.2 After effect workspace 2 - Animated GIF (9/6/2024)

While creating the animation, I experimented with various patterns and effects. I added a light sweep at the end of the word's appearance to make the animation more engaging and dynamic.


Fig 6.3 Export in Adobe Media Encoder - Animated GIF (9/6/2024)

After completing and reviewing the animation, it was ready for export as a GIF. Figure 6.3 shows the workspace in Adobe Media Encoder. I exported the GIF in the best and highest quality at the required size of 800x1024px, as specified by Mr. Vinod.


Final Outcome

Fig. 5.6 Animated Gif - GIF, Week 7 (9/6/24)




  FEEDBACK  

Week 5 - Task 2(A): Key Artwork

General
  • Key Artwork must be readability, design a thing that meaningful.

Specific
  • Bring out the meaning, what your letters represent you.
  • The design not good enough, design and meanings not match.

Week 6 - Task 2(A): Key Artwork

General
  • Mind the gap in between, think about how it looks when the logo size is reduced.
  • Once is done and get approved, can continue to next task.

Week 7 - Task 2(B): Collateral

General
  • Collaterals combination has to be something that connects its purpose/point with each other. 
  • Do not focus on a letter if it doesn’t have a special meaning to it.



  REFLECTION  

Experience

Creating a personal wordmark has proven to be a challenging yet enlightening process. Despite being familiar with the basics and having completed a second draft, I find myself struggling to convey a clear and meaningful message through my wordmark. Feedback has highlighted this gap, and as Mr. Vinod often emphasizes, a successful wordmark must carry inherent meaning.

In my quest to bridge this gap, I have extensively researched the stories behind major brands, exploring numerous books, articles, and online resources. This deep dive revealed that the most impactful wordmarks are memorable and resonate deeply with their audience, raising the question of whether this is due to effective marketing or the inherent quality of the wordmark itself.

Throughout this journey, I have gained significant insights into my identity as a designer and feel that I am steadily progressing toward a more professional standard. Despite the ongoing challenge, I am committed to refining my wordmark to achieve the clarity and impact that defines a truly great design.

Observations

A deep understanding of oneself is essential for creating a truly personal wordmark. Without this self-awareness, the wordmark will lack authenticity and fail to represent one's identity accurately. Similarly, a clear comprehension of a client's needs is crucial for delivering a design that meets their expectations. Without this clarity, the resulting design will likely fall short of the client's vision and requirements.


Findings

This task has highlighted that while creating a wordmark may seem straightforward, mastering the effective use of lines, shapes, letters, and space requires profound knowledge and skill. To the buyer, these elements might appear as mere simplicity, but when they are uniquely and meaningfully arranged, they transform into a valuable product. Additionally, the ability to promote one's own wordmark is a significant achievement and a source of pride.















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